Thursday, January 5, 2017
Monday, July 4, 2016
Goodbye, Uptown Theatre
Goodbye, Uptown Theatre
(Joseph Larsen, 2012)
The first screening I ever attended at the Uptown Theatre was a midnight show of Omega Man on August 12, 2004. I began working there nine days later.
The pre-renovated Uptown was my favorite place in the world. The feel, the atmosphere, the personality - all simply unmatched. The above video was shot during the final week before its 2012 closure, with the auditorium camera shot placed right next to my favorite chair (ground-level, left side, furthest-back aisle seat). The music is "Liu Lien" by Yao Lee, from Tsai Ming Liang's Goodbye, Dragon Inn, a film that best expresses my thoughts of the old Uptown.
It was the theater's renovation and subsequent loss of film projection that motivated me to pursue a career in film & video archiving. During my tenth anniversary of employment, I created this blog as a side project to document the rich history of the building. So much was scattered around the Twin Cities in a number of archives, not to mention unorganized boxes and file cabinets in the Uptown itself. On the eve of my departure, however, it was all put together for a 100-year anniversary. I can't think of a better sendoff than this history being brought back to the Uptown and its moviegoing community.
And now, for the heck of it, my five favorite screenings during my twelve years at the Uptown:
Aliens (08.29.09)
A routine midnight screening made special by the legendary Rock & Roll Ray. The pre-show revealed that he had an actual alien to show the crowd but had unfortunately escaped, and then, about 30 minutes into the film during its first major action sequence, Ray emerged dressed as an alien and battled his cohorts on stage. It was something straight out of a William Castle experience, and it was glorious.
Che (01.16.09)
This special cinematic experience put together both parts of Steven Soderbergh's epic into a combined roadshow release. There were no ads, trailers, or credits, just a five-minute musical overture over a map of Cuba before the film and a souvenir program listing cast and crew information for each audience member. A rare moment where attending a film felt like a true event.
Fantasia (08.12.11)
Screenings of Disney repertory films are quite rare, as steep prices and strict regulations tend to keep bookers at bay. I took it upon myself, however, to convince Landmark higher-ups that Fantasia would indeed make its money back, which it accomplished with the added help of weekend matinee shows. Few films look more spectacular on the big screen.
Spooktacular! (01.28.06)
My favorite midnight selection. While its centerpiece was the public domain classic Night of the Living Dead, Spooktacular! was preceded by over a half hour of old horror movie trailers and animated shorts. Wildly entertaining and everything that a good midnight movie experience should provide.
Zatoichi 5 (08.28.04)
While Omega Man was my first film at the Uptown, it was my third - Zatoichi 5 - that first made it sink in that I was now surrounded in a movie screening paradise. Who would think to play the 5th Zatoichi film? I never found out if it was the only title available or was chosen at random, but sitting in the darkness with a scant few others, I knew that this place was somewhere special.
I wish those who never experienced the Uptown before its 2012 renovation could've seen it, and I hope those who did hold on to its memory. It sure was a beauty.
(Joseph Larsen, 2012)
The first screening I ever attended at the Uptown Theatre was a midnight show of Omega Man on August 12, 2004. I began working there nine days later.
The pre-renovated Uptown was my favorite place in the world. The feel, the atmosphere, the personality - all simply unmatched. The above video was shot during the final week before its 2012 closure, with the auditorium camera shot placed right next to my favorite chair (ground-level, left side, furthest-back aisle seat). The music is "Liu Lien" by Yao Lee, from Tsai Ming Liang's Goodbye, Dragon Inn, a film that best expresses my thoughts of the old Uptown.
It was the theater's renovation and subsequent loss of film projection that motivated me to pursue a career in film & video archiving. During my tenth anniversary of employment, I created this blog as a side project to document the rich history of the building. So much was scattered around the Twin Cities in a number of archives, not to mention unorganized boxes and file cabinets in the Uptown itself. On the eve of my departure, however, it was all put together for a 100-year anniversary. I can't think of a better sendoff than this history being brought back to the Uptown and its moviegoing community.
And now, for the heck of it, my five favorite screenings during my twelve years at the Uptown:
Aliens (08.29.09)
A routine midnight screening made special by the legendary Rock & Roll Ray. The pre-show revealed that he had an actual alien to show the crowd but had unfortunately escaped, and then, about 30 minutes into the film during its first major action sequence, Ray emerged dressed as an alien and battled his cohorts on stage. It was something straight out of a William Castle experience, and it was glorious.
Che (01.16.09)
This special cinematic experience put together both parts of Steven Soderbergh's epic into a combined roadshow release. There were no ads, trailers, or credits, just a five-minute musical overture over a map of Cuba before the film and a souvenir program listing cast and crew information for each audience member. A rare moment where attending a film felt like a true event.
Fantasia (08.12.11)
Screenings of Disney repertory films are quite rare, as steep prices and strict regulations tend to keep bookers at bay. I took it upon myself, however, to convince Landmark higher-ups that Fantasia would indeed make its money back, which it accomplished with the added help of weekend matinee shows. Few films look more spectacular on the big screen.
Spooktacular! (01.28.06)
My favorite midnight selection. While its centerpiece was the public domain classic Night of the Living Dead, Spooktacular! was preceded by over a half hour of old horror movie trailers and animated shorts. Wildly entertaining and everything that a good midnight movie experience should provide.
Zatoichi 5 (08.28.04)
While Omega Man was my first film at the Uptown, it was my third - Zatoichi 5 - that first made it sink in that I was now surrounded in a movie screening paradise. Who would think to play the 5th Zatoichi film? I never found out if it was the only title available or was chosen at random, but sitting in the darkness with a scant few others, I knew that this place was somewhere special.
I wish those who never experienced the Uptown before its 2012 renovation could've seen it, and I hope those who did hold on to its memory. It sure was a beauty.
Monday, June 27, 2016
Biggest Movies
The Blair Witch Project is generally the title brought up in conversation when discussing the largest movie opening at the Uptown Theatre. This is absolutely correct, but what's less known is the remainder of the top ten. This list goes between November 1985 and June 2016 and is not adjusted for inflation:
Largest Grossing Weeks
1. Blair Witch Project (07.16.99)
2. Crouching Tiger, Hidden Dragon (01.12.01)
3. Royal Tenenbaums (12.21.01)
4. Crying Game (01.08.93)
5. Grand Budapest Hotel (03.14.14)
6. A Mighty Wind (04.16.03)
7. Juno (12.14.07)
8. About Schmidt (12.20.02)
9. Fargo (03.08.96)
10. Pan's Labyrinth (01.19.07)
The remainder of the top 25 paint an intriguing picture of the 1990s independent scene, as many others are period pictures (The Piano, Sense & Sensibility, Emma, and Enchanted April). The most surprising entry (to me, anyway) is 2000's The Endurance. The largest grossing re-release is Casablanca in 1992, just making the list at #25.
The longest a movie ever stayed at the Uptown is Sex, Lies, & Videotape for 8 weeks in 1989. This is followed by both The Piano in 1993 and In Bruges in 2008 at 7 weeks each.
As for midnights, the top ten are dominated by two screenings of The Room where Tommy Wiseau appeared in person and the Halloween weekend shows of Rocky Horror Picture Show. If one were to go just by titles, however:
Largest Grossing Midnight Films
1. The Room (11.20.10)
2. Rocky Horror Picture Show (10.29.10)
(then the other Room & Rocky Horror Halloween screenings)
3. The Goonies (11.15.03)
4. Donnie Darko (01.03.04)
5. Nightmare Before Christmas (10.25.03)
6. Neverending Story (01.06.01)
7. Princess Bride (07.22.00)
8. Spike & Mike's Sick & Twisted Animation (04.29.00)
9. Fear and Loathing in Las Vegas (11.08.03)
10. Spirited Away (01.01.16)
While the least attended film at the Uptown is unknown (Not Another Gay Movie & The New Girlfriend are my best guesses), Grumpy Old Men was the least attended midnight on 08.18.01.
Largest Grossing Weeks
1. Blair Witch Project (07.16.99)
2. Crouching Tiger, Hidden Dragon (01.12.01)
3. Royal Tenenbaums (12.21.01)
4. Crying Game (01.08.93)
5. Grand Budapest Hotel (03.14.14)
6. A Mighty Wind (04.16.03)
7. Juno (12.14.07)
8. About Schmidt (12.20.02)
9. Fargo (03.08.96)
10. Pan's Labyrinth (01.19.07)
The remainder of the top 25 paint an intriguing picture of the 1990s independent scene, as many others are period pictures (The Piano, Sense & Sensibility, Emma, and Enchanted April). The most surprising entry (to me, anyway) is 2000's The Endurance. The largest grossing re-release is Casablanca in 1992, just making the list at #25.
The longest a movie ever stayed at the Uptown is Sex, Lies, & Videotape for 8 weeks in 1989. This is followed by both The Piano in 1993 and In Bruges in 2008 at 7 weeks each.
As for midnights, the top ten are dominated by two screenings of The Room where Tommy Wiseau appeared in person and the Halloween weekend shows of Rocky Horror Picture Show. If one were to go just by titles, however:
Largest Grossing Midnight Films
1. The Room (11.20.10)
2. Rocky Horror Picture Show (10.29.10)
(then the other Room & Rocky Horror Halloween screenings)
3. The Goonies (11.15.03)
4. Donnie Darko (01.03.04)
5. Nightmare Before Christmas (10.25.03)
6. Neverending Story (01.06.01)
7. Princess Bride (07.22.00)
8. Spike & Mike's Sick & Twisted Animation (04.29.00)
9. Fear and Loathing in Las Vegas (11.08.03)
10. Spirited Away (01.01.16)
While the least attended film at the Uptown is unknown (Not Another Gay Movie & The New Girlfriend are my best guesses), Grumpy Old Men was the least attended midnight on 08.18.01.
Ultimate Destruction of the Uptown Theatre
After the Uptown Theatre closed for renovations on 01.31.12, plans were for construction to lay waste and clear out the lobby and auditorium. On 02.05.12, the night before the crew would be starting, employees past and present gathered to help in the proceedings.
Sunday, June 26, 2016
Rock & Roll Ray
The legendary Rock & Roll Ray was an icon of the Minneapolis cinema scene, bringing his horror host talents to a multitude of local theaters along with weekly appearances on public access. The first event he hosted at the Uptown was Nightmare on Elm Street 3 on 10.25.08, with ten other screenings consisting of Aliens, Audition, Dr. Strangelove, Evil Dead, The Jerk, John Carpenter's The Thing, Spooktacular!, Thirst, Troll 2, and Who Framed Roger Rabbit?
Uptown Tower (2009)
While this photo was taken of a graffiti tag from the 07.25.09 midnight screening of Thrashin', it accurately documents the condition of the Uptown tower prior to the 2012 renovation.
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